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VISITING ARTISTS April 7-8, 2009: Carol Barton March 9-13, 2009: Helen Frederick, Washington, DC
January 20-23, 2009: Victoria Goro-Rappaport, Kearney, Nebraska Rappaport was born in Russia and came to printmaking after studies in theatrical scene design. She is on the faculty at the University of Nebraska at Kearney. Pictured is her etching "Sleepwalker." During her visit she will work on an edition in the UTK Print Workshop. Her visit is sponsored by the UTK School of Art's Visiting Artists, Scholars, Designers Committee and Ready for the World.
October 13-16 : Chris Natrop, Los Angeles, CA Spring 2008: Erik Waterkotte, Mankato, MN
2007: Chaz Maviyane-Davies, Boston, MA
2007: Ayanah Moor, Pittsburgh, PA
2007: Sean Star Wars, Laurel, MS
2007: Sean Galligher, Knoxville, TN
2006: Sue Coe, Deposit, NY
2006: Teresa Cole,
New Orleans, LA
2006: Roger Shimomura,
Lawrence, Kansas and John Newman, Fayetteville, Arkansas Shimomura and Newman spent a week on campus in March during which time they worked with faculty and students on a set of two diptych nine-color lithographs. They also presented an exhibition of their work titled "Both Sides of the Barbed Wire Fence." Their project and exhibition addressed the internment camps for Japanese-Americans set up during WWII. Shimomura lived in an interment camp as a small boy, and Newman's mother lived adjacent to a camp in Rohwer, Arkansas.
2006: John Hitchcock, University of Wisconsin-Madison
2004: Aaron Wilson, Cedar
Falls, Iowa
2004: April Flanders, Quebec, Canada
2003: Mirek Pawlowski and Krzystzof
Molenda, Poznan, Poland
1999 Christopher Sperandio
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| Copyright ©2003 The University of Tennessee · Knoxville Tennessee 37996 · Telephone 865-974-1000 Voice/TDD | |
Barton is a teacher, book artist, and curator who runs Popular Kinetics Press and has published numerous artist book editions since her first book, Beyond the Page, was printed in 1981. Her work is exhibited internationally and is in numerous collections, including The Smithsonian Institution, Library of Congress, Museum of Modern Art, The Getty Museum, and the Victoria and Albert Museum in London. She has organized both local and national shows of artists' books, including the "Books & Bookends" national traveling exhibition and the Smithsonian Institution's "Science and the Artist's Book" exhibit. She is on the faculty at The University of the Arts in Philadelphia. Depicted is Five Luminous Towers, A Book to be Read in the Dark, Offset printing, laser-cut pop-ups, light and batteries, edition of 50. See her web site: http://www.popularkinetics.com/. Her visit is sponsored by the UT Print Club. 
Helen Frederick received the Printmaker Emeritus Award from the Southern Graphics Council in 2008. She received her B.F.A. and M.F.A. from the Rhode Island School of Design and was the Founder of Pyramid Atlantic Art Center, Silver Spring, MD. She is also on the faculty at George Mason University. Frederick is a distinguished print, paper, book arts and electronic media artist. Her work is in the collections of the Whitney Museum of American Art, NY, the National Museum of American Art, the National Gallery of Art, the Library of Congress, Washington, D.C., and The Fogg Museum, Cambridge, MA among many others. Fredderick will spend a week in the UTK Print Workshop working on a project with students and faculty in Printmaking. Pictured is her 2008 print "Monitor," solarplate and screenprint on cork, 31 x 24 inches. Her visit is sponsored by the UTK School of Art's Visiting Artists, Scholars, Designers Committee. 
Sean Caulfield completed his MFA in printmaking at the University of Alberta in 1995, and then spent five years working in the United States, first at Northern Illinois University as a Visiting Professor, and then at Illinois State University as an Assistant Professor. He returned to Canada in 2001 to work at The University of Alberta as a junior Canadian Research Chair in printmaking.During the last five years Sean Caulfield has participated in a wide range of national and international exhibitions throughout Canada, the United States, Europe, and Japan. See his web site at: 
Natrop is a Los Angeles-based artist who works with cut-paper to make objects and installation works. The Lenox 100 paper that Natrop uses in his work has the 100% rag fibre content of fine art and printmaking papers. Natrop takes a utility knife to rolls of Lenox 100 to create his free-hand, negative space drawings. For Natrop, paper as a medium acts as restraint, control or partner in his cut-out sprees; providing an apt structure for his drawings' crystalline logic of bubble- orbs, butterflies, hanging gardens, drips, spiders and ants. He will come to the UTK Print workshop for a public lecture and student critiques. See his website at: 
Erik Waterkotte received a BFA degree with a concentration in printmaking at Illinois State University and an MFA from the University of Alberta. He is currently an Assistant Professor at the University of Minnesota, Manketo. His work explores uses of drawing and collage to explore systems of representation. Depicted rightis a work titled "Inverted Address (Red Structure)" 24" x 18", Intaglio and Mixed Media, 2005. His visit is sponsored by the UT Print Club during which he will work with students on a print in the UT Print Workshop. 
Kelley Walker received a BFA degree with a concentration in printmaking at the University of Tennessee, Knoxville in 1995. Mr. Walker’s large-scale multi-media and print works combine the properties of advertising, printmedia and painting. Recent museum exhibitions include one or two-person shows at Modern Art Oxford (UK) and Le Magasin in Grenoble (France). His work was included in the Whitney Biennial 2006, Greater New York 2005 at the P.S.1 Contemporary Art Center and the Lyon Biennale 2007. Kelley Walker also makes work in collaboration with Wade Guyton under the name Guyton\Walker. His visit is sponsored by VADSCO and the UT Print Club. 
Sue Coe spent a week in our studios to work on a series of lithographs which address the plight of women in the Texas prison system. Her visit also included a panel session co-sponsored by the UT College of Law.Pictured above, Sue Coe visits Kevin Bradley and Yee Haw Industries in downtown, Knoxville. 
2004:
Kevin Bradley, Knoxville Tennessee
Krzystof Molenda and Mirek Pawlowski are faculty at the Academy of Fine
Arts in Poznan where the University of Tennessee has established a program
linkage to exchange two students each year for one-month residencies.
Pawlowski and Molenda worked on a screenprint and a relief print in collaboration
with UT students. During their ten-day visit they also presented an exhibition
of their work, conducted a public slide lecture and participated in a
forum on “The Culture of Poland and the European Union” Their
visit was funded through a Haines-Morris Endowment Grant. View images
of the event in the 
support of the Haines Morris Endowment and the UT Print Workshop. For
more information, visit the following web site devoted to their Asian
Art and Conservation Project: 
John Risseeuw is a nationally known printmaker, papermaker, and book artist
from Arizona State University in Tempe where he is the Director of Pyracantha
Press. His work has been exhibited nationally and internationally at over
310 competitive and invitational exhibitions. His work is in the collections
of the Library of Congress, the National Museum of American History, The
American Museum of Papermaking, the New York Public Library, the Getty
Center and numerous others. During his visit he completed a hand printed
book titled Road Kill in the UTK Print Workshop in collaboration with
UT Professor of Philosophy John Nolt and printmaking faculty and students.
His visit was sponsored by the UT School of Art, University Studies and
the UT Department of Philosophy. During his visit he also conducted a
public lecture.
Phyllis
McGibbon is an Associate Professor of Art at Wellesley College. She received
her BFA and MFA degrees from the University of Wisconsin- Madison. Phyllis
has worked in open access print studios in Scotland, England, Canada and
Belgium, and has been awarded residencies at the Kala Institute (CA),
the Bemis (NE), the Millay Colony (NY) and the VCCA (VA). She travels
frequently as a guest artist and has served on the visiting faculty for
RISD as well as the University of Georgia Study Abroad program in Cortona
Italy. Described by the Los Angeles Times as "a tinderbox of ideas
and allusions", Phyllis' art incorporates drawing, lithography, reprographic
constructions and large temporary site works. She has produced installations
on site at the John Michael Kohler Arts Center, (WI), the Davis Museum
and Cultural Center, (MA); Sushi Inc, (CA); OCCCA, (CA); Clarke College,
(IA); and the Davison Art 
Center
(CT). Her prints and artist books are included in over 30 public collections.
Awards for her work include grants from the Elizabeth Greenshields Foundation,
the NEA, the WESTAF Regional NEA, Art Matters, Inc, and most recently,
the Howard Foundation. During her one-week vist she completed an edition
of prints in collaboration with students and faculty, gave a public lecture
and conducted critiques.
Dr. Avery is both an artist and practicing psychiatrist, who
treats HIV and AIDS patients. His art, primarily prints, three dimensional
paper objects and installations, explore issues such as social responses
to disease, death, sexuality, and the body. His work has been included
exhibitions at the Museum of Modern Art in New York, The Fogg Art Museum
at Harvard University, the Contemporary Art Museum in Houston and Mary
Ryan Gallery in New York. For some of his recent projects, he has moved
AIDS clinical care into art galleries and museums. Avery believes art
can have a prophylactic function, changing behavior and protecting people
from the AIDS virus. His visit was sponsored by a grant from the Haines-Morris
Endowment and the UTK School of Art.
io
spent the spring 1999 semester as an Artist-in-Residence in printmaking.
Since 1995, he has worked with his collaborative partner Simon Grennan
to produce comic books with a variety of people. Presenting true stories
as told by members of the public, these comics are commissioned by museums
and art centers and are co-published with Fantagraphics Books of Seattle.
Their MoMA project Modern Masters is published by DC Comics. For more
information visit their web site at: 
Sue
Coe is one of the most important artists of the past two decades, creating
powerful works which comment on human and animal rights. Best known for
her “Porkopolis” project and recent book Dead Meat chronicling
the meat packing industry, her work has also addressed the subjects of
homelessness, rape, the Ku Klux Klan, vivisection, AIDS, apartheid in
South Africa and the rights of prisoners. She contributes regularly to
The New York Times, The New Yorker, Mother Jones and 
numerous
other magazines. Her work has been featured at the Museum of Modern Art
and the Metropolitan Museum of Art and she is represented by Gallery St.
Etienne in New York. Her visit is sponsored by a grant from the Haines-Morris
Endowment and the UTK School of Art. During her one-week visit she completed
a suite of five lithographs in collaboration with students and faculty,
gave a public lecture and conducted critiques with students. See her listing
on the Gallery St. Etienne web site at: